Georg Philipp Telemann (1681-1767) was possibly the most prolific composer in history. He is considered one of the foremost German composers during the Baroque era, and is often compared to Bach and Handel, with whom he was well-acquainted.
Concerto for Traverso and Recorder in E minor:
Telemann’s father passed away when he was four. His mother disapproved of wasting time on music, but young Georg found himself a music teacher when he was 10, and by the time he was 12 had composed his first opera.
Musique de Table Quartet in G Major:
Telemann composed 33 operas in all; church music, including series of passions, cantatas, and oratorios; several orchestral suites and chamber music pieces; fantasias, overtures, and fugues for keyboard; chorales, fugues, and chorale harmonizations for organ; numerous concertos for violin, viola, horn, trumpet, chalumeau, oboe, bassoon, recorder, and flute; and sonatas for oboe and bassoon.
Adagio from Trumpet Concerto:
Telemann’s style evolved as he aged and incorporated influences from French, Italian, and Polish styles. He was a driving force during the late Baroque and early Classical periods, although his writing remained complex contrapuntally and harmonically, and he considered some of his contemporaries’ works as too simplistic.
Brecht ihr müden Augenlider:
Telemann insisted on exclusive publication rights for his works, thereby setting one of the most important early precedents for regarding music as the intellectual property of the composer.
Burlesque de Quixotte: