I finally finished a baptism quilt (we Lutherans baptize infants) that I think I may have started at the beginning of the pandemic. There are several reasons why it took me so long. In between, I made two lap quilts for my sister-in-law and I pieced a bed quilt for my son. Also, I disappointed myself with my fabric choices for the sheep block (but not enough to remake it). The pastel pink gingham I picked for the sheep’s body doesn’t show up well against the white background. (That block, by the way, is from Lori Holt’s Farm Girl Vintage book. It’s a favorite of our quilt ministry.)
I thought this might be the time to learn free motion quilting–I could quilt fleecy-looking swirls over the pink gingham with brighter pink thread. Problem solved.
Sigh. Some people have a long learning curve. It’s hard to teach an old dog new tricks. I’d read that it was a good idea to try out your design with paper and pencil before trying to stitch it. So I spent several practice sessions drawing swirls. I was dissatisfied with my results.
Maybe I could try stippling.
My stippling drawing was okay, so I started practicing stitching with scraps of fabric and batting. I don’t have a long-arm, but I know lots of people do beautiful quilting on ordinary sewing machines. I have a 30-year-old Pfaff Tiptronic 6270, which has been excellent for piecing and for in-the-ditch quilting. I am very good at straight stitching. I can sew garments that involve curves.
Stippling is another matter. You need to be able to think ahead, to visualize how you want your stitches to meander. I don’t have that skill set. I spent a couple months’ worth of Saturday mornings working on my stippling. I can’t tell you how many bobbins I wound–they get used up really fast when you do free-motion practice. I never got the hang of it. I think part of the problem was I’d slow down, and then my stitches would get too large. I eventually used up all the fabric I didn’t mind wasting and all my scraps of batting. Did I really want to cut into my good yardage? No. But I read that felt squares are good for FMQ practice. Folded in half, they have bulk similar to cotton plus batting.
I decided to try random loop-de-loops. Maybe they wouldn’t be so hard to control. Alternate looping to the right and to the left. I practiced for a while, determined to make it work.
And then my sewing machine threw a hissy fit. It made my top thread form a massive tangle on the underside of my fabric.
Now I know how to handle this. Usually, underside tangles are caused by one of four things: a bent needle; dust, lint, or thread fragments in the bobbin carriage; inferior thread; or lack of lubrication. So, I removed the throat plate and cleaned and oiled the machine and changed out the needle and the thread. Multiple times. But as soon as I started practicing my quilting again, tangleation! Maybe my machine needed repair. But I just had it serviced in January! It should be good for a couple of years.
Maybe it’s time to retire my Pfaff. 30 years is a good life. For the heck of it, I did some straight sewing. No problem.
I tried FMQ again, problem again!
I gave up on the idea of quilting that sheep and just left the outline quilted. Then I bound it, buried my thread ends, and pronounced the quilt done.
Now it’s your turn–help! I’ve decided that if I want to take my quilting to the next level, I need a long arm. I’m going to research what’s out there–and I have no idea how to begin. I know I don’t have room for one of those huge frames with the computerized machine. So, quilters, what machines do you use? What do you like about them? What would your dream machine be, and why?