Tag Archives: Characterization

Creative Juice #337

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Creative Juice #337

Lots of great articles for writers this weekend.

But also other stuff.

Creative Juice #315

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Creative Juice #315

Some pretty things, some scary things, some tips for fiction writers, and more.

Creative Juice #295

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Creative Juice #295

Beautiful. Creative. Uplifting.

  • The Lucas Brothers are standup comedians with philosophy and law degrees. And they wrote the script for Judas and the Black Messiah.
  • It’s hard to get started sometimes. But, butt in chair. Daydream. Doodle. Do something to engage your subconscious. And then, suddenly, the magic happens.
  • Writing routines.
  • Six words to say to your child. I wish I’d done this more.
  • You’d like to make a quilt, but don’t have the energy for a full-sized project. How about a pillow instead? 63 free patterns.
  • For the novelists: your character must experience failure.
  • I am amazed this artist finds on-site such a variety of shapes, colors, and sizes of rocks to make his art.
  • Sculptures springing out of books.
  • Artist Robin Seiz shares her work, her journey, and her studio.
  • A children’s book illustrator shares her process.
  • What being in a coma is like.
  • Ancient art of Iran.

Creative Juice #294

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Creative Juice #294

Lots of articles for writers this week. And for non-writers as well.

Creative Juice #284

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Creative Juice #284

All sorts of creative things to look at.

Creative Juice #270

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Creative Juice #270

This week’s offerings are heavy on writing tips. But there are some crumbs for the quilters and crafters.

Guest Post: Using Direct And Indirect Characterization To Make Characters Seem Real, by Writer’s Relief

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This article has been reprinted with the permission of Writer’s Relief, a highly recommended author’s submission service. We assist writers with preparing their submissions and researching the best markets. We have a service for every budget, as well as a free e-publication for writers, Submit Write Now! Visit our site today to learn more.

Even the best story will fall flat without spot-on character development. At Writer’s Relief, we know that good characterization is vital to a short story or novel. But bringing a character to life may sometimes seem complicated—what writing techniques should you use? Both direct and indirect characterization will make your characters seem more real. Here’s how to use characterization to help breathe life into your characters and move your plot forward.

How To Use Direct And Indirect Characterization

5 Writing Tips For Using Direct Characterization

Direct characterization is a very straightforward method of developing your character. You tell readers what they need to know about the character by describing specific attributes, routines, and desires. This method of characterization can be extremely useful for introducing a new character and making sure they take root in your readers’ minds. To use direct characterization in your writing, answer these questions:

What are your character’s physical attributes? Physical attributes—hair and eye color, height and body size, any scars or tattoos—will help readers to create a picture of your character. The more unique, the better! You can also include details about the character’s fashion sense.

What does your character do? This can provide an important piece of the character’s foundation. Telling readers your character’s job, whether or not they’re good at it, and whether or not they like their work, reveals a lot about who that character is.

What are your character’s hobbies? What does your character like to do with their spare time? This will give readers information about the character’s personality: A character who prefers quiet, intricate puzzles may be more patient and inquisitive, whereas a character who prefers skydiving and hiking may be bolder or perhaps even reckless.

What does your character like and dislike? Opinions and quirks come together to build your character’s worldview. Food preferences, pet peeves, and what they look for in friends are all details that will help round out your character.

What does your character want? By answering this simple question, you begin defining and communicating a character’s motivation. What goal are they working toward? What drives them forward? Understanding a character’s motivation is crucial to building readers’ knowledge of who that character is and what their story will be.

6 Writing Tips For Using Indirect Characterization

Indirect characterization lets readers get to know a character through thoughts, actions, and speech. This type of characterization focuses on how your character interacts with other characters, as well as the world around them. To use indirect characterization in your writing, answer these questions:

How does your character’s voice sound? In narration, thought, and dialogue, it’s important to develop a unique, recognizable voice for your character: Do they tend to use flowery, drawn-out language rife with similes and metaphors, or do they prefer to get straight to the point without mincing words? Does the character have an accent or any defining speech patterns? Whether a character talks a lot or lets others do the talking is also a good personality indicator.

Does your character choose to act or stand aside? Choosing to take initiative is hugely defining for a character, whether it’s during a dangerous situation or simply in day-to-day decisions. Do they confront situations head-on, or do they prefer to stand back and watch as things develop? Is the character a leader or a follower: Would they take charge of their friends or coworkers if necessary?

How does your character react to big events? It’s important to consider how your character will react under pressure or stress. Does your character stay calm or panic when they’re up against a crisis? Is “fight” or “flight” more your character’s M.O. (method of operation)?

How does your character treat other characters? It’s important to show how your character interacts with those socially below them as well as with their equals and superiors.

What are the consequences of your character’s actions? How does your character handle the consequences of their choices and actions? Do their motivations affect their reactions to consequences?

How does your character interpret the story’s setting? It’s important to show readers how the character describes the surroundings. Two characters might describe the same scene totally differently, depending on how observant they are and what they’re feeling at the time.

Both direct characterization and indirect characterization have benefits and drawbacks. For example, using too much direct characterization can make a character feel distanced from the readers, since you are only using superficial descriptions. But using too much indirect characterization can result in your readers struggling to put together a full character arc from a rootless series of actions and reactions. Each character has their own story, and it’s important to use a combination of direct and indirect characterization to create a three-dimensional, full character who will seem real to your readers. Check out this “interview” our experts put together—79 questions to help you discover all you need to know about your characters!

Question: What do you find most challenging about creating a character?

Monday Morning Wisdom #302

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Monday Morning Wisdom #302

“The character that lasts is an ordinary guy with some extraordinary qualities.”
—Raymond Chandler

Creative Juice #208

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Creative Juice #208

The sublime and the ridiculous, all worthy of your consideration:

Guest Post: How to Have Stronger Character Beginnings by Ryan Lanz

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Thank you to Ryan Lanz and A Writer’s Path for this excellent article on characterization.

Actor; writers as actors; writing; writing characters

What’s the best way to initiate a solid protagonist character?

“You take people, you put them on a journey, you give them peril, then you find out who they really are.” – Joss Whedon

Recently, it has become a running theme in the Under the Microscope series where I think a lot about how to create a rapid connection between the reader and the characters. I often find that it takes a chunk of time (sometimes a chapter or more) for the reader to get hooked onto the plot; even setting can take a handful of pages. I find that a compelling character is the quickest way to connect to a reader.

“Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.” -Ray Bradbury

I’ve talked a bit about what not to do in first chapters, but in this post, I’d like to focus on one area of what to do. Of course, there are exceptions to every rule. There are books that have stunning settings and immediate plot twists, but even in those, I personally connect with the character the most. For every page that I don’t feel some sort of connection with the protagonist, the chances increase that I put the book down.

So, what is connecting to the character? What does that mean exactly? A lot of writing advice blogs will tout that sort of power phrase, leaving it up to you to figure out what it means. With this blog, I strive to give as many examples and concrete illustrations as I can. As a new writer, it frustrated me when vague terms were used without anything to back it up.

My only disclaimer before continuing is that none of this is an exhaustive list, in case someone was keeping track of something else I may have missed. There’s always a something else, which is the beauty of writing stories. There’s never one definitive list for anything.

“There are three rules for writing a novel. Unfortunately, no one knows what they are.” – W. Somerset Maugham

I believe most aspects of a reader connecting with a character comes down to four things: empathy, relatability, idolization, and intrigue. Some of these blend together a little, and still others are difficult to establish immediately, but in my opinion, these are the different tools in your character toolbox. When I start a story, my goal is to introduce at least one of these elements as soon as possible. Let’s take a look at each.

To continue reading, click here.