Tag Archives: Children’s book illustration

Meet Kathy Temean, Illustrator, Author, and Children’s Literature Advocate

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Meet Kathy Temean, Illustrator, Author, and Children’s Literature Advocate

I first discovered Kathy Temean’s blog, Writing and Illustratingfive or six years ago, and I’ve been following it ever since. If you like to write or draw for children, you must check it out. Kathy has been a long-time member, speaker, and regional advisor of the New Jersey chapter of the Society of Children’s Book Writers and Illustrators and is very knowledgeable and helpful.

I have since found out that she herself is an award-winning illustrator. She is also a consultant who helps companies (and especially authors and illustrators) develop marketing plans and websites.

I am so thrilled that Kathy agreed to be interviewed for ARHtistic License.

ARHtistic License: What books have you written or illustrated?

Kathy Temean: I wrote and illustrated Horseplay and illustrated Yogi’s Team, and various book covers, and have written and illustrated many articles for magazines like Highlights and Sprouts. Plus I have done artwork for Individuals like Jerry & Eileen Spinelli, major corporations like McDonald’s, Pfizer and Merck, and businesses like Mullica Hill Merchant Association have commissioned my artwork.

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AL: How did you first hear of SCBWI?

KT: To understand that, I need to tell you about my writing journey: I went to college to study art. My only connection to writing was my Dad who wrote short stories for magazines, articles for the newspaper, and love poems for me and my mother. I am sure he would have loved to write a novel, but he worked hard to make a living to provide for his family. I had to do the same, working full time to take care of my family and doing my art on the side. When my mother and father passed away in 2001, I had the task of cleaning out their house and found all the treasures of my childhood and Dad’s writing. Oh, how I wish I had found them earlier in life. I would have loved to discuss writing with my Dad. I started write so much that I really thought my father had taken over my body. All I could do was write. Maybe it was because I was an only child and I didn’t have a brother or sister I could talk to, or just grieve, but I poured my heart out writing for hours every day and night for many, many months. With my art background and so many cherished memories and the inspiration of my father’s poems, I started writing children’s picture books. One night I got up from my desk and couldn’t take a step and had to have my knee replaced. I started thinking I should use my artistic talents to illustrate the books I wrote. Then I realized I didn’t know anything about how to write or get a book published, so I read every book I could find and did everything suggested. One of those suggestions was to join the SCBWI. I did. Went to the SCBWI Winter Conference in New York, won an award for my illustration titled “Boys with Bear” and met other writers, illustrators, agents, and editors.

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Boys with Bear by Kathy Temean

I had worked for some major companies setting up corporate events, so I volunteered my talents to the New Jersey SCBWI chapter in order to create programs that would not only helping me navigate the road to publication, but others, too.

AL: Did you win other kudos for your illustrations?

1. BABES ON BEACH

Babes on Beach by Kathy Temean

KT: I did. “Babes on Beach” (Society of Illustrators in NYC), “Homework Helper” (SCBWI Summer Conference),  “Cinco de Mayo” (PASCBWI Conference), “Exploring the Garden” (NJSCBWI), “Boys with Bear” (SCBWI Winter Conference).

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Homework Helper by Kathy Temean

AL: You were the regional advisor for New Jersey SCBWI. How long did you serve in that capacity?

KT: 10 years. I stepped down at the end of 2013 and still attend the NJSCBWI events. I have conducted workshops and have done critiques at some of the NJSCBWI annual conferences.

12. CINCO DE MAYO

Cinco de Mayo by Kathy Temean

AL: Tell us about your passion for children’s literature and the authors and illustrators who create them.

KT: I love children and I love to write and illustrate. Seems like a perfect combination to me. The thing I loved about being the SCBWI Regional Advisor was how I got to see writers and illustrators grow and succeed. Having a little part in that success was special. That is why I have kept up my Writing and Illustrating blog.

4. EXPLORING THE GARDEN

Exploring the Garden by Kathy Temean

AL: Tell us about your illustration work. What software do you use?

KT: I have done a lot of traditional techniques, but when Photoshop came along, I jumped on board and taught myself how to use the software. It was instalove. I love that I can play around with the colors, correct anything I don’t like. I just wish I had more time to experiment more.

AL: You also assist writers with marketing and with author websites through your consulting business. Why is an author website important?

KT: For the last two decades I have gotten upset with writers and especially illustrators for not thinking enough of their work to show it off. Facebook is nice, but not good enough. Having a website gives a writer/illustrator a chance to tell their story. Think of it as having a picture book about you. You need to put up something interesting, provide some unique content that will bring visitors back. Even if you don’t have a book out there, you want to put your best foot forward, show off a little, and get that editor, agent, or future buyer interested in you. You never know where your next opportunity will come from. Just make sure what you design and create is professional and interesting.

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Cover by Kathy Temean

AL: Besides a website, what are some of the most important things authors and illustrators can do to promote their work?

KT: Don’t run scared of having a blog. Just the word can make some of my clients faint. A blog is a great thing to include with your website. Why? Because it lets give you a place to put up pictures, notices, and stories about what you are doing to help build an audience. Your website designer will not be there 24/7 to put all the new things up on your site. With a blog, you will have complete control without having to depend on and pay someone else.

You don’t have to do something every day. Think about what you can reasonably do. Could you take an afternoon once a month to come up with four things to post? If so, you can schedule them to post on four different days during the month. Hint: If you see something interesting you would like to share, put it in a file so you can get your hands on it the afternoon you schedule to come up with your four posts.

Also get a Twitter account. You can set your blog up to automatically tweet what you post. That is so helpful. And people will click on the tweet and will be steered to your site.

If you have a new book coming out, make sure you put it up on your website. I know you are thinking Duh! But I have seen that happen too many times. Also, I know a debut author who did not have a website ready for their book launch. This is very bad. Don’t let that happen to you. You can’t expect to hire someone to do a site and get it up a couple of days. I have seen some sites take a year to finish and not go live until after the debut book has been out for months on the bookshelves. Make a marketing plan or hire someone to help you accomplish that. Don’t miss your window of opportunity.

AL: Your blog is one of the most helpful I know for writers. How often do you post?

KT: I started the blog in 2009 and have blogged every day since then. Even through major operations, pneumonia, and vacations, etc.

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AL: How do you keep up that blogging pace and still do everything else that you do?

KT: A lot of late nights and I try to plan what I want to feature a month ahead. Writers and illustrators should think about submitting something to me. Think about what they could send to get their name or books seen. I feature authors, books, illustrators, agents, and I am always looking for articles that would interest other writers and illustrators. I love to get submissions – an illustration I could use with a post or holiday post – poem — a how-to article – a new book with their journey – a good new announcement for a kudos post. It’s a win-win for them and me.

AL: My favorite feature is the weekly Illustrator Saturday. The posts are full of illustrations, some in various stages of completion, so that we can actually see the artists’ process. How do you find 52 illustrators every year?

KT: There are so many talented people out there. It really is amazing. I am in awe of all the talent. It is a lot of work doing Illustrator Saturday, but most illustrators see the benefit of being on a blog that gets thousands of visits every day from all over the world. Many of my visitors are agents, editors, art director, publishers, teachers, writers, and illustrators. All are lovers of children’s books.

I rarely get anyone send me a link to look over their illustrations or tell me about themselves. I think they should. Even if I don’t think they are quite ready, there could be an illustration that catches my eye and could use, which might be something that would catch someone else’s eye, which could lead to a job. It doesn’t hurt to ask.

AL: You also keep us apprised of upcoming new books in the children’s market and even run book giveaways. Do you seek these books out, or do the authors or publishers offer them to you?

KT: It’s a mix of both. In the beginning I asked writers if they would like to be featured, but now publishers are sending me books coming out, hoping I will feature the author and the book. It is funny how I have seen an author, illustrator, and even a publisher grow from posting this feature on the site. At first glance it might seem like it is just a chance to win a free book, but it is much more than that. I always ask the author to write up their journey with the book. Everyone loves to read what an author and/or an illustrator had to go through to get their book on a bookstore shelf and into the hands of a reader. There is a lot of knowledge being shared in those stories. Plus, we are all in this journey together, so we have support the new books coming out to keep the industry going. We want it to be strong when we submit a manuscript and have people see and buy your book when it comes out.

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Kathy Temean

AL: You profile agents who are building their children’s book lists and also feature an agent of the month, who critiques several submitted first pages of manuscripts. I am in awe of your contacts.

KT: I am glad you find the info about different agents helpful. If writers and illustrators read the features, it could save them a lot of time trying to figure out who is out there and may be a good fit for them. Just remember, the industry changes frequently, everyone should check to make sure the agent hasn’t left the company or that they are still accepting queries. Last month, I had an agent who decided to close submissions and I didn’t realize this, since I had just researched her. So things can change on a dime. One day they can be working for an agency and the next they can be working for someone else or traipsing around the world with a new boyfriend. I do my best to keep up.

AL: What else would you like readers to know about you?

KT: I would like to let writers know I am currently working on organizing a Virtual Writers Retreat. I have done a full manuscript critique retreat for the last seven years. It has helped so many writers get published or opened doors for them with an agent. This COVID-19 and everyone being locked down and afraid of flying, I decided going virtually would be a good idea. If you write a novel, where would you get a chance to have an agent or editor read your full story. Plus, everyone gets assigned to a four person critique group and everyone gets a 20 page critique with one of the other agents. The retreat is open to picture book writers, too. Their cost is less. They get a total of four PB critiques and a PB critique group. Here is the link for more details.

Children’s authors and illustrators, now it’s your turn. Check out Kathy Temean’s websites. You can learn so much there! And take advantage of Kathy’s offer–she’d love to have some submissions about your work and your journey.

Creative Juice #186

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Creative Juice #186

With all this sheltering-in-place, we need a little diversion, whimsy, and beauty.

  1. Recreating masterpieces. See also #9.
  2. The notorious Banksy.
  3. Who would have guessed I’d find two Banksy articles in the same week? Here’s what happens when he works from home.
  4. Reading suggestions for staying at home.
  5. I really like this format for poetry.
  6. Animal Farm illustrated.
  7. Would you like to sleep at Stephen King’s house?
  8. Surf’s up! Prizewinning surfing photos.
  9. Even gerbils need art galleries. (But please don’t eat the furniture.)
  10. Oh, crumb! I missed the Arizona Quilt Show. Not to worry—here are some great pictures.
  11. Do you love children’s picture books? Look at these glorious illustrations and enter the giveaway.
  12. Ever hear of coade stone? Me neither, but at one time it was a very popular sculpting material.

Interview with Vicki Riske, Puppeteer, Author, and Illustrator

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Last November among the booths at the Tempe Festival of Books, some adorable puppets caught my eye.

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I was hooked. I had to know more.

Vicki Riske, long time puppeteer, had recently written and illustrated a children’s book about the characters she had created as puppets many years ago. I was so impressed with Riske that I asked if she’d be willing to be interviewed for ARHtistic License.

ARHtistic License: How long have you been a puppeteer?    

Vicki Riske: I have been making puppets for about 50 years.

AL: How did you get started?     

VR: I started making puppets in undergraduate school for plays.

AL: Are your audiences mostly children?     

VR: Yes, most of the time my puppet audience are children, but I have also made puppets for adults, who have used them for theatre and television.

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Vicki Riske     

AL: Describe your puppet-making process. 

If the puppet is for a play, I read the play and analyze the character that the puppet is playing. I also imagine the actions that a puppet needs to be able to do. Is it necessary for the puppet to have a mouth that actually moves? Does the puppet have to carry objects? Then I do a series of drawings, first just pencil and then I may add color to the drawings.

AL: How do you come up with their personalities?    

VR: Every puppet that I make has a specific story that they are telling. The puppet characters relate to other characters in the story. They may have a specific characteristic that can dictate the design, such as Leo, my lizard. He needs to do push ups, so he needs to have joints that allow that activity. He is also a lizard, so he needs a texture consistent with ideas about lizards.

AL: Have you worked in television? 

VR: Yes, I had my own TV show back in the 70s for a CBS affiliate in Fargo, ND. I created two owls, a dog and a worm for the show.

AL: And you also worked in movies? 

VR: Yes, I worked as a scenic artist on commercials and movies around Arizona. I have a film credit on Bill and Ted’s Excellent Adventure.

AL: Tell us about We Are Puppeteers

VR: We Are Puppeteers is a small company. We write books, make custom puppets, and we do puppet shows with children. The children are the puppeteers. We have puppet shows that we have written and puppets that the children use to act out the stories. We usually rehearse with the kids and then they perform for their parents or other kids. We do the shows for events such as birthday parties.

AL: Who are some puppeteers who have inspired you? 

VR: Shari Lewis and Lamb Chop, Jim Henson, Edgar Bergen, Caroll Spinney, and many more.

AL: What do you like most about puppeteering?   

VR: I like the magic around puppets. You have an inanimate object that you can bring to life to tell a story.

AL: What advice would you give to someone who is interested in making puppets and/or performing with puppets? 

VR: Don’t be afraid of your own style. You maybe inspired by someone and copy for a while, but let your creativity come out.cover_Med

AL: Now you’ve branched out to writing and illustrating children’s books. You’ve used the same characters as your puppets. How did you come up with the idea of The Polka Dot Tea Party?  

VR: I have a granddaughter who loved tea parties. We would have one tea party after the other. She was 3 years old at the time. So she was my inspiration. I love the desert and would see shapes in nature, so I thought polka dots and tea parties was a great combination of topics.

AL: What is the hardest part of the writing process? 

VR: Editing is the hardest. Once I have an idea it usually flows, but reworking the text can be a challenge.

AL: Did illustration come naturally for you? Have you always drawn, or is it a new skill for you?    

VR: I have been drawing my whole life, but had never illustrated a book before.

AL: How long did it take to write and illustrate The Polka Dot Tea Party?   

VR: It took about 6 months to write and illustrate the book.

AL: What advice would you give to someone who would like to become an illustrator? 

VR: I would tell them to look at books that appealed to you. And daydream about your book. I find that ideas come to me when I am cleaning house.

AL: What was your publication journey like? 

VR: I learned a lot about publishing a book. I think I was a bit impatient at times. The process for publishing took a long time.

AL: How did you connect with Outskirts Press?

VR: I found them on a recommendation from a friend.

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AL: What will your next book be?

VR: My second book, Grandma Bibi, was just published in December 2019. It is a children’s book about shared memories and love. It tackles memory loss as a family issue and opens a dialogue for families to discuss what is happening to grandma or grandpa. I self-published this book. I found a printer in Michigan, 360 Digital Press, that has been great to work with.

AL: What do you like most about writing?

VR: Puppets need stories to tell and I enjoy writing them. I also like the fun of sharing my ideas with young people and bringing them joy.

AL: What do you like most about illustrating?

VR: Illustrating is challenging, creating an emotion with a drawing is the best. Illustrations set the tone of the story, whether it is light or serious. I make many drawings until I have the right one for a page.

 

To learn more about Vicki Riske and her work, check out her two websites: The Polka Dot Tea Party and We Are Puppeteers.

Creative Juice #177

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Creative Juice #177

The Valentine’s Day edition of CJ. Wishing you lots of love.

Creative Juice #175

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Creative Juice #175

For your weekend reading pleasure. Lose yourself for an hour in these great articles.

Creative Juice #173

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Creative Juice #173

A feast for the eyes and the brain:

Interview with Jenifer Tull-Gauger, Karate Instructor, Author, and Illustrator

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Interview with Jenifer Tull-Gauger, Karate Instructor, Author, and Illustrator

Jenifer Tull-Gauger and her husband, Kirk Gauger, run East Valley Martial Arts in Mesa, Arizona. Tull-Gauger has also been writing and drawing since childhood. Her most recent book, The Two True Karate Kids: A Dojo Kun Character Book on Battling Dishonesty, was released December 1, 2019. I met Jenifer through folk dancing, and reconnected with her in November at the Tempe Book Festival. I’m thrilled that she consented to be interviewed for ARHtistic License.

ARHtistic License: Have you always lived in Arizona? What are the pros and cons of living in a desert area?

Jenifer Tull-Gauger: I grew up in southern California and our young family moved to Arizona over 22 years ago. Arizona has provided opportunities that California couldn’t. We love the people here, and are so happy to be here now. A huge perk is the weather most months out of the year. And for me, a huge drawback is gardening in an arid climate. I don’t like working with cactus, so I must contend with big water bills.

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AL: You and your husband have been practicing karate for twenty years. How do children benefit from karate training?

JTG: Karate is great for people of all ages, but children especially stand to benefit from karate training because it helps them form values, inner strength and the knowledge of their power, in their formative years. For our children, we have seen improvements in self-confidence, self-defense, respect, and character-building in addition to the fitness it provides.

AL: I know a dojo is a karate school, but what is dojo kun?

JTG: A kun is an oath, so the dojo kun is the oath of a traditional karate school. Our Dojo Kun lists our most important rules and values that we uphold. Each student is expected to work on using them in daily life – both in and outside of our classes. For me as an instructor, I teach people how to fight or harm others for self defense, and these rules teach them how not to fight, or at least how to have a moral code for the use of force. Our Dojo Kun is the traditional one created by Shungo “Tode” Sakugawa around 200 years ago. It is translated as: 1) Strive for a good moral character. 2) Keep an honest and sincere way. 3) Cultivate perseverance or a will for striving. 4) Develop a respectful attitude. 5) Restrain my physical abilities through spiritual attainment.

AL: You’ve been drawing since you were a child. What sort of art training have you had? What advice do you have for budding artists?

JTG: I took as many art classes as I could in junior high and high school. Other than that, I have practiced a lot on my own, including learning Sumi-e, Japanese brush painting, from a book. That was fun. My advice for budding artists is to just do it! Practice with different styles and media. Sketch as much as you can (or would like to) and regularly. Youtube is also a great source for techniques, ideas and inspiration.

Can-Do

AL: How is illustrating a book different from drawing pictures? What did you have to keep in mind as you created your accompanying illustrations? 

JTG: For me, the biggest difference (and thorn in my side) in illustrating a book is the editing process. In fine art, I create a piece and when it’s done, it’s done. In illustration, I receive feedback from my art editors and then make revisions to make sure the pictures are supporting the story I want to tell. With book illustration, there is also the use of left-to-right action and awareness of where the eye is led in order to encourage the turning of the page.

AL: Do you draw your illustrations by hand, or do you use graphic software? Tell us about your process.

JTG: I use a mostly traditional process, but with the help and support of technology. My process for the Dojo Kun Character book series is to do a rough layout sketch or book dummy, then create real-size pencil sketches. After input from my art editors, I go over the outlines in black ink. All of that is done by hand. Then I scan the line art into digital files, print it all out, and fill in the colors by hand with brush pens. After another round of editing thanks to other artists’ eyes, I’ll make additional edits. Then I layout the pictures and text in Microsoft Publisher before consideration of final adjustments. If images need more digital manipulation than Publisher allows (such as removing backgrounds or parts of pictures), I’ll use GIMP.

AL: How do you find time to write and work on illustrations?

JTG: It is tricky finding the time to do both. This tripped me up for years. Then I implemented two things that help me make this doable. One is prioritizing. I have one project at the top of my list that I work on regularly. I put most of my focus and energy into that project. (I’ll put things of secondary importance in my to-do list where I anticipate having a break in my primary project, such as when waiting on input from editors or “beta-readers.”) The second is I commit to working on my books daily, even if it’s only for a short block of time. And when my day allows, I spend more time. Using a to-do list helps. As did figuring out which one series of books I want to work on at this point and having one area of focus. It is true that my other stories, my poetry, and my personal journal writing are on the back burner as I’m focusing on my karate picture books at this time. But it’s worth it to see the progress of these Dojo Kun Character Books as they come into being.

Two True

AL: You’re a member of SCBWI and you have critique partners. How did that help you on your journey to publication?

JTG: Both of these have helped me immensely. The Society of Children’s Book Writers and Illustrators has helped with my professional development and with teaching me the nuts and bolts of the trade. Through them, I’ve also met people who have helped guide me on my path to publication. I have found a lot of moral support and help in both the SCBWI and my critique partners. Plus, it’s awesome and inspiring just to be around other creative types. Additionally, it is invaluable how good critique partners can help you “see” the writing and illustrations through other people’s eyes or from other perspectives.

AL: Are you a plotter or a pantser?

JTG: I’m a mix of both, and depending on the story, I may lean more toward plotting it out beforehand, or flying by the seat of my pants and making it up as I go along. I actually enjoy both. When left to my own devices, I will usually have a solid idea plotted out in my head of what I’m going to write. But I try to stay open to inspiration and go with the flow of creativity while writing. I did a longer work, a children’s chapter book for NANOWRIMO a couple years ago, and was amazed and delighted at how some parts of the story took twists and turns that I hadn’t expected when plotting it out. There were times that I was writing my characters into trouble and had no idea how they were going to get out of it.

AL: What was the most difficult part of writing your books? What is the most fun part of writing your books?

JTG: The most difficult part of writing my first book was the uncertainty of what to do with the story and when to do it. I actually had the idea and wrote the first draft years ago. After I took it to my writer’s support group for feedback, it sat, going nowhere, for years. (That is the purgatory where most of my stories and poems sit.) The most fun part of writing and illustrating my book is just overall the adventure of it all. Some of the high points of the adventure are getting lost in the creative process, and learning of new (or previously unknown) helpful resources such as the Biteable app which eases the process of book trailer creation. I enjoy meeting new people at writers’ events or even on social media. It’s fun to encourage other writers and artists to find that spark within them and follow where it leads. And I love bringing my art and writing to the table in karate training, as well as bringing the most important lessons of traditional karate out into the world to help children, even those who may not train, improve their lives for now and for their futures.

Jenifer Tull-Gauger reading to students

AL: What types of books do you like to read? Which authors do you admire?

JTG: I like to read all types of children’s books. It’s important to keep up with the industry. I admire Tomie dePaola for continuing to support and encourage younger writer-illustrators in the SCBWI even though he doesn’t need to. And I admire many authors I have met who have helped and encouraged me, including Pat Curren who once won a Tomie dePaola DVD on the craft of picture books and gave it to me because she writes for teens. As far as my personal reading, I’m open to trying out any book from any author, but I will put it down if it doesn’t hook me within two pages. Dean Koontz is my favorite author to read.

AL: What is your favorite book about writing?

JTG: There are so many great books about writing! I would have to say my favorite is Natalie Goldberg’ Writing Down the Bones. It contains so much great advice and sharing of knowledge and writing experience. I also really like Anne Lamott’s Bird by Bird, which inspired me to get to know her better through her writing.

AL: Your book The Can-Do Karate Kid: A Dojo Kun Character Book on Defeating Laziness & Procrastination came out in May 2019, its companion coloring book came out in November 2019, and The Two True Karate Kids: A Dojo Kun Character Book on Battling Dishonesty came out in December 2019. What’s next?

JTG: My third Dojo Kun Character Book, about wrestling with quitting, is at the top of my writing and illustrating priority list. I’m also working on a companion coloring book to go along with the second book in the series. These will be released in the first half of 2020. And I’m looking forward to my book launch party for The Two True Karate Kids on February 15th, 2020. It will include a Karate with Your Dog Class!

Jenifer Tull-Gauger

AL: Do you have a funny story about any of your books or about the writing process?

JTG: Maybe not really laugh-out-loud funny for most people. But I enjoy a dry sense of humor, and I find many of the “little things” in life hilarious. My picture book adventure has so many little funny things like that. Such as a five-year-old calling both the snail and slug monster in my first book “snails” (he’s from Arizona). Or his mom giving Procrastination (the snail monster) a voice, “Don’t do it now, you can do it later.” Or the response from a teen “beta reader” when she saw that I made the adult female karate teacher bald. (She was not on board with this idea.) I got to see her face as I was there in person: priceless.

AL: What is something about your books or about yourself that you wish your readers knew?

JTG: Hmm, I feel like I put all of these things out there in my weekly writer-illustrator and karate blogs. So this is a tricky question for me. But there is one thing that I may not get out there enough. I wish that all adults with elementary school aged kids in their lives knew I aim to make my books educational yet fun, character-building conversation starters with enough weirdness to make kids want to talk about them (and a can-do attitude, honesty, perseverance, etc.).

To learn more about Jenifer Tull-Gauger, check out her author website. And if you’ll be near Mesa, Arizona on February 15, you’re invited to the launch party for The Two True Karate Kids. Since the plot includes karate and the adoption of a dog, the book’s publication will be celebrated with a karate class that’s going to the dogs. The party will take place 9:45 a.m.—11:30 a.m. on Saturday February 15, 2020, outside East Valley Martial Arts, 1829 S. Horne, Suite 8, in Mesa. It will include book signings, a book reading, pictures with your dog and the author, and a Karate with your Dog Class. Participants in the class are invited to bring their dogs to go alongside them through a martial arts influenced obstacle course. Donations will be accepted for the Arizona Humane Society. Sounds like lots of fun, doesn’t it?

Creative Juice #171

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Creative Juice #171

 

 

 

First CJ of 2020!

 

 

Creative Juice #170

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Creative Juice #170

 

 

Our last collection of curated inspiration for 2019:

 

 

 

  • Photographs of balloons.
  • Beautiful architecture in Lyon, France.
  • A designer talks about a chair.
  • What the UPS guy was really doing when he should have been delivering my packages.
  • When dancing on the walls, watch out for the windows.
  • Pareidolia is a psychological phenomenon that causes people to see patterns in a random stimulus. This condition can lead people to assign human characteristics to objects. Here’s what an pareidolic artist does when he sees faces in inanimate objects.
  • If you haven’t had enough Christmas yet, here’s a lovely Christmas quilt.
  • The Brownings and others muse on artistic integrity.
  • This museum is on my bucket list.
  • A children’s book illustrator describes her path and her process.
  • So far I’ve never found a podcast that I actually wanted to follow. Maybe one of these recommendations will inspire me.
  • 1960s architecture in Brasilia.

Creative Juice #142

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Creative Juice #142

A collection of creative genius.