Monthly Archives: December 2019

Why Writers Should Review Books

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Why Writers Should Review Books

If you are a reader, you should write book reviews.

  1. It will help you remember the books you’ve read, and whether they’re worth rereading.
  2. Your feedback helps other readers decide whether they should invest time and money to read a particular book. (I confess I read one-star reviews to find out what other readers found objectionable. Admittedly, some people are just hard to please; but often, when I read an unfavorable review, I recognize I wouldn’t like the book either.)
  3. Your comments help the authors know how you felt about their books, and what they might improve upon in the future.

If you are a writer, you have a responsibility to write reviews. Other authors are not your competitors; they are your colleagues, your community. You benefit from interacting with them. Your insights about their work help them. You know how exacting the writing life is; you’re in the trenches. Your response is even more revealing that what non-writing readers give.

Sitting on pile of books

Here are some things you can include in a book review:

  • Tell what the book is about, without revealing the entire plot (or in the case of nonfiction, all the conclusions) or spoiling pivotal twists.
  • Tell what the author did well. If you like the book, mention all aspects that made it a winner for you. Even if you didn’t like the book, share at least one thing that was good—an intriguing title, a diverse cast of characters, the brevity of the chapters.
  • If you were disappointed, explain why. What were you expecting that the author didn’t deliver? Was the ending unsatisfying? Were there typos or factual errors that distracted you? Were the characters undeveloped? Be specific.
  • Make whatever recommendation you can. Maybe the book wasn’t your cup of tea, but fans of chick-lit would love it—say so. Or maybe give an age range: “I feel the subject matter was too intense for 6-year-olds, but teenagers could handle it.”
  • Compare it to other books, either other ones the author has written, or others about the same topic, or books in other genres. “It’s like Gone Girl, but in a parallel universe.”
  • You may want to take notes as you read, or write the review immediately after reading the book. I can’t tell you how many times I need to do a quick reread while reviewing, because I’ve forgotten key events or names of characters in the book a week later.

When you’ve written your review, send it out into the world.

  • Submit it to publications that carry book reviews. This is a tricky market to break into, but if you do, you can get steady work.
  • If you have your own blog, publish it there (I post my book reviews on my Books Read page)—or offer it as a guest post on a review blog.
  • Publish it on your social media—you may have to pare it down to fit a specified number of characters.
  • Post it as a customer review on Amazon or BarnesandNoble.com, and/or on Goodreads.

Now it’s your turn. If you are an author, do you read your reviews? Do you appreciate a review written following the tips above? What other advice would you offer to reviewers? Please share in the comments below.

 

Creative Juice #167

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Creative Juice #167

Gorgeous artwork that will make your creative fingers itch to make more.

I have a recommendation for you. If you have access to Netflix and you’d like to see a different Santa movie, watch Klaus.

In the Meme Time: Brand New

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Brand New

Guest Post: Ribbon and Lace Angels by Textile Ranger

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Thank you to Textile Ranger and Deep in the Heart of Textiles for the directions to these breathtaking ornaments.

ANGELS

I have always been the family’s go-to recipient for things they no longer wanted, but deemed too good to throw out.  As a result, I have bags of sewing notions and boxes of supplies for making miniatures.

At the International Quilt Festival this year, one of the booths displayed a small metal dress-maker’s form clothed in lace scraps.  I adapted that idea to the supplies I had on hand, to make some textile angel Christmas decorations.

Here are the supplies I used:

  • porcelain doll heads and hands
  • spools for the bodies – I used Gutermann spools, with the thread-locking base removed
  • pipe cleaners for the arms
  • scraps of lace, ribbon, seam tape
  • double stick tape
  • tacky glue

(If you want to use similar porcelain doll heads, Factory Direct Craft looks to be a good source.  I haven’t purchased anything from them myself, because I am already covered up with these things.)

To continue reading this article, click here.

Video of the Week #230: Florence–Making Art the Old Way

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Wordless Wednesday: Cactus Garden

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Meet Gwen Lanning, aka Textile Ranger

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Meet Gwen Lanning, aka Textile Ranger

Gwen Lanning is a blogger, photographer, nature lover, quilter, weaver, dyer, and investigator of all things textile. You might know her from her wildlife blog, Little Wild Streak, where she posts the photographs of species of birds, butterflies, reptiles, amphibians, and dragonflies that she’s observed in the wild. But I discovered her through the quilts she’s made and posted on her other blog, Deep in the Heart of TextilesShe recently consented to be interviewed for ARHtistic License.

ARHtistic License: What kind of quilts do you like to make?

Gwen Lanning: I love to make scrappy quilts with unpredictable color combinations. But someday I would love to make whole cloth quilts with beautiful thread work too.

blue log cabin

Most of my quilts are to be donated.  I make a lot of Log Cabins out of scraps.

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AL: What do you look for when you go fabric shopping?  

GL: Because I want all the fabric, I usually buy bags of scraps. I love getting a selection and deciding how to put them together.  I also like to look at the clearance section of a quilt shop, make a few choices, and take whatever is left on the bolt.  I feel that I am doing a service to the shop owner.  🙂

AL: Do you have favorite colors?

GL: I love turquoise and it works its way into every quilt. I also especially love Kaffe Fassett’s Roman Glass designs and that fabric works its way into every quilt too.  I am not alone in that and I love spotting it in other people’s quilts!

AL: What is your stash like?

GL: My stash is not particularly large – it fills one closet that is 30” deep and 48” wide. But I add to it faster than I quilt it up, and I would like to catch up!  It is roughly organized in plastic bins – whenever I start to fold it neatly, I just end up starting another quilt.

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“I like to use an improvisational style.  Sometimes the quilts are inspired by patterns in books, and sometimes not.”

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AL: What kind of sewing machine do you use?

GL: For about 10 years, I used my mom’s Viking, and then last year I got a Juki HZL-F600. I love both of them, but always wish for more room to move the quilt around of course.

AL: Do you quilt by hand or machine?

GL: I quilt by both hand and machine – I love hand quilting the most.  But most of the quilts I make are for charity so I need to finish them quickly and make sure the stitching is sturdy.

AL: You also buy vintage quilt tops and finish them off. How do you find them? What do you look for?

GL: I find vintage tops at antique shops and guild sales. (I have not let myself look for them online because I would go crazy and buy them all. Do we see a pattern here?)  I get almost all the ones I find, but I especially love the ones that I know I would never piece myself, with tiny triangles and diamonds.  Also the ones with wild pattern and color combinations.

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“This is my favorite out of all the vintage quilts I have bought – I love how the fabrics faded, resulting in random placement of the colors.”

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Detail of the above vintage quilt.

AL: Whose quilt designs do you admire?

GL: It was the designs of Kaffe Fasset that got me into quilting – I loved the big bold prints and simple piecing, and his designs struck me as very fresh.

I saw the Gee’s Bend quilts here in Houston and I have always loved that improvisational look. In the old quilts I collect, I really love it when some of the colors have faded, leaving an unpredictable composition of color.

In the quilts I make for myself I try to have asymmetrical compositions and those unpredictable color combinations. (I am more restrained when I make quilts for others.)

I also love Alexandra Ledgerwood’s clean modern designs and have made a few of them.  When it comes to art quilts, I love Judy Coates Perez, Kathy York, the free motion extravaganzas of Teri Lucas, and the thread sketches on transparencies of Rob Wynne.  And I have just learned about Jill Kerttula and I love the multiple techniques she used in her art quilts.

Gwen

Dutch Bouquet, which Lanning made for The Endeavourers improv challenge.

AL: Do you also spin yarn? On a wheel or a drop spindle? 

GL: I know the basics of spinning, but I would not call myself a real spinner. I have spun wool and cotton, on drop spindle, great wheel, and flyer wheel.  I would love to spin more, and I love reading Ply magazine and seeing all the possibilities.

AL: What kind of loom do you use?

GL: My favorite loom is an 8-harness, 54” Gilmore, but I also have a 4-harness, 36” Harrisburg.

AL: What kind of materials do you weave? 

GL: I have woven with cotton, linen, rayon, wool, and silk blend yarns.

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“I also designed my own panel and coordinating fabrics, to make a one-of-a-kind quilt for a grandson.”

AL: What do you weave?

GL: I love to weave rugs, but lately I mostly weave dish towels. Just like with the fabric scraps I use in quilting, I have lots of little bits of yarn, and I like combining them in striped and checked towels.

AL: What is the hardest part of weaving?

GL: For years I didn’t like warping the loom, but now I love every part of the process. It is so soothing.  Now the hardest part is deciding on what pattern I will weave this time – there are so many drafts I want to weave, but I also love weaving a favorite draft again.

AL: What is the best part of weaving?

GL: For me the best part is that once you throw that shuttle, that part of the cloth is done. If you had to cut it off the loom right then (and could stabilize the edge), it would be ready to go just like that.  With quilting, there is the cutting, then the piecing, then the prep of the quilt sandwich, then the quilting, then the binding, and you can’t really call it done until all of those steps are finished.  You can’t be sure it is even going to look complete.  With weaving, you get that feeling of completion with every shot.

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“I take photos and print them on fabric with my regular printer — there are lots of different fabrics available to print on, cotton, silk, silk organza.  You can also iron freezer paper on the back of regular fabric and run that through too, so I have done that with old fashioned calicos, and it gives a nice background texture to the print.”

AL: You also make your own dye using plants. Tell me more about that.

GL: We moved to our farm 10 years ago, and right about that same time, I found out that you could do natural dyeing with the same process you would use to make sun tea – put in the plants in a glass jar outside, pour boiling water over them, and see what color develops. I tried every plant I could find, and I was excited to find out that some of the best colors came from some of the most nondescript “weeds.”  It was a great help in learning to distinguish those plants.

It works best on wool, which we don’t use a lot of here in Texas, and the colors do fade over time, but it is a lot of fun.

AL: Do you still knit? What do you like most to knit?

GL: I knit and crochet a little. Someone gave me a huge sack of leftover crochet thread, (and then I bought an equally large sack of leftovers, in case I somehow ran out of something from the first sack), and I am slowly crocheting those into place mats and baskets.  I like to always have a project of that sort going, to take along with me when we go visiting or traveling.

AL: Do you still cross stitch or do any other kinds of embroidery or needlepoint?

GL: I hand stitch a little to embellish art quilts, and I keep telling myself I am going to do a stitch journal, but I have not done as much as I would like in that area.

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Green Mist, practice with textile paints and thread sketching. “I love to do little exercises to try out different techniques and nontraditional materials.”

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March Materials Madness,  an exercise in using household items.

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“Artist’s Alchemy, from The Endeavourers’ Change/Transformation challenge.  I think this is my very favorite art quilt.”

AL: Do you have any funny quilting stories or weaving stories or other craft-related stories?

I used to work at a historical park, where we had a big loom set up. Kids could sit down next to me and I would help them weave, but usually the parents were not patient enough to wait for the five minutes this would take.  One woman and her 8-year-old daughter poked their heads in the door, and the woman said, “Oh, she’s making candles,” and pulled the child back out before I could say anything.

AL: Is there anything else you would like readers to know about your textile endeavors?
GL: I really enjoy being a textile dilettante, and experimenting with different techniques and materials, and that attitude also extends to my blog.  I love dipping into different eras and cultures, and sharing what I have learned about topics as wide-ranging as medieval French weaving laws, German operas, Minoan archaeology digs, African wax cloth, and Turkmenistan camel yarns.  Following those textile paths where they lead has brought me new adventures and friends, and I look forward to many more!
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Gwen Lanning with her husband, Bill.